Photography VS Videography CAMERA SETTINGS

Photography VS Videography CAMERA SETTINGS


– Alright, quick little update before we start today’s video. I just wanted to give you guys an update on the #HireMeMatti thunderdome challenge. You guys saw I posted
all six of the videos. Sorry if that annoyed you, but a lot of people wanted to see them. But I’m gonna be making
the decision this week on who I’m gonna be hiring as my editor, so stay tuned for that. I don’t know what day it’s gonna be, but this week I’ll make the decision. Alright, enjoy the video. (upbeat indie music) Alright, so if you guys don’t know, not Peter, but the other guy, that’s my brother, he
obviously kinda looks like me. He’s a really good videographer
but also a photographer and I think he started out
as a photographer first. And I thought it would be
interesting to do a video on the differences between camera settings in photography and videography. Especially ’cause I think
a lot of people nowadays, they’ve been doing photography but they’re starting
to get into videography and I see a lot of people like that who are coming from the photography world, they’re doing these kind
of really rookie mistakes with camera settings because there’s just a lot of differences. Some of them are pretty much the same but some of them are completely different. So let’s go through camera settings in photography and videography. What are the differences,
and why it matters. Alright, I’ll catch up with the guys now. Anybody? Huh, where’d they go? They left me behind. Guys? Anybody? Theodore? Deppo? Doesn’t it suck getting left behind? Kinda brings back memories
of being a kid and then getting lost. We actually used to play this trick on my younger brother where we’d be at a grocery
store or a clothing store and me and my older brother,
my mom would be off somewhere, we’d be taking care of my younger brother, and we would hide. My brother would flip. I think he had this trauma
of being left behind. I was just telling them
about how with Mikko we would hide when we were at a store so you would think you were by yourself. – Oh, traumatized for life. – Trauma, trauma. – I have to be getting my therapy soon. – It’s so good. Guys, do you think we look the same? – Not at all. – Especially right now with the same haircuts too, pretty much? – I’m the more handser one. – I’m not wearing a hat today, guys. – I like how I just said handser. Not handsomer, but handser. – [Matti] Handser. – I make my own English all the time. – [Matti] I thought I lost
you guys for a second. It was bringing back my childhood traumas. This is the first time
you’ve met my brother. – First time. – [Matti] How is he? – It’s like hanging out with you twice. – Double the Matti. Let’s talk about camera settings. Photography versus videography, but let’s find a better spot to do this. (upbeat indie music) I just got away from
my brother, he’s stuck. – I didn’t make it up the hill, I suck. – He’s still learning the
whole one-wheel thing. It’s a little bit tricky. – They told me to go
full-on and I went full-on but I just went right into the dirt there. (Matti laughs) – So I thought I would talk
about the video land settings because I really know film settings more, and I know some photography, but you’re the photography master, between the two of us at least. So why don’t you talk
through the photography camera basic settings. So first off, let’s talk
about shutter speed. In both photography land
and videography land, shutter speed affects the
motion blur in the photo. Now, it’s a little bit different. Why don’t you talk about photography first and how you can use it
as an exposure tool, whereas in videography land, you can’t. – Alright, so when you’re shooting photos, you can set the shutter speed to decide what kind of
exposure you’re gonna have. So if it’s really bright out, you can make the shutter
speed really high. – Just roll it up. – You can have it up
to 1/8000, for example, to get the exposure right. And if it’s really dark out, you can just boost it really low. Maybe, lowest you want to go is 1/80th, because if you go lower than that it’s probably not gonna
be too sharp anymore. – Too much blur. – You can use that to
get the exposure right. – So in photography, you
can use shutter speed as kind of an exposure tool,
you’re changing the exposure. But in videography, you
have to stick to double whatever your framerate is. So if you’re filming in
24 frames per second, you have to have your shutter speed at 48. And that’s because it drastically changes the look of your video clips if you have a different shutter speed. So if it’s too low, it’s gonna
be a little bit dreamlike, a little bit weird, if it’s too high it’s
really stuttery, stoccato, and you can use those as creative tools. But for the most part, you’re doing double whatever
your framerate says. And that’s why you use
something like this, an ND filter, ND filter
is super important. – Matti’s number one rule,
always use an ND filter. And I was so against it for so long, but now I understand what he
was talking about for filming. – I believe I also got
Peter into ND filters. But ND filters, you
can’t use shutter speed as an exposure tool to just bump it up, so you use an ND filter to make it darker and keep that, double the
framerate, shutter speed, it’s called the 180 degree shutter rule. So that’s the big difference between shutter speed in
photography and videography. Next we’re gonna talk
about aperture or f-stop, and actually, in both of our lands it’s pretty much the same, right? Like it’s just a creative decision. – Pretty much yeah. – Yeah, so if you want
a shallow depth of field you’re gonna– – Use a really low aperture like 1.4. – There you go. If you want a deep depth of field, you need a lot of things in focus, the background, the foreground, you’re gonna make it a
higher number f-stop. So, for the most part,
they’re pretty much the same. But I think the big difference would be that in video you have to
do a lot of manual focusing. – Yep. – And so if you’re filming
at, let’s say, f/1.4, and you’re not very
good at manual focusing then you’re gonna misfocus a lot. So that’s something you
have to kinda think about. – And with photography, you
kinda have the luxury that autofocus is so good nowadays. – So good. – That even with 1.4, Canon, you can still just lock that focus in and you’re good to go and getting that sweet, sweet bokeh that
Matti talks about always. – Oh, yeah. Sweet, sweet bokeh. Yeah, so it’s a little bit different, but this one’s pretty much the same. It’s a creative decision, and this one’s your
biggest creative decision, choosing how much depth of field you have. Next we’re gonna talk about color profile. So we’ve talked about
this before, LOG profile. In video, you wanna shoot
as flat as possible, but in photography land– – Doesn’t matter at all. – Doesn’t matter. – You can shoot RAW and you can just change it to
whatever you want afterwards. – Yeah, so RAW is even
better is even better than a LOG profile, you’re not baking anything in, whereas in video land you’re
usually baking things in. So RAW, you don’t need
to shoot flat, it’s okay. Then another thing, in video land, you have to think about is framerates. Whereas with photography– – Just snap that one photo. – Doesn’t really matter. Other than if you’re trying to get a sports shot or something and you need to be
getting super fast, like; well, you were using
my camera the other day and you’re like, “Why don’t
you have it on continuous?” Why do you do continuous? – Yeah, for example, I like using the continuous
shooting drive mode because I wanna snap three,
four photos in one instance rather than just one shot at a time because someone’s eye is just closed and then I miss that moment
if I only do one photo, so I do three photos at
a time to get the shot. – The kiss, you know, at
the front of the altar boom, boom, boom, boom. Right? – Yeah, something like that, yeah. – Yeah, whereas in video it’s a big thing. You have to choose, you know, do you want to film in
24 frames per second, 60 frames, 30 frames per second, and all those make a really
big difference in the look. And the key here is, you
would, I’m sure, agree with me, real-time, always film
24 frames per second. – Yep. You can notice right away– – Right away. – When something’s in
60 frames per second, and you’re cringing, like, ooh, why is that in 30 or 50 or even worse? Ugh. – So real-time, always
24 frames per second. Don’t listen to the gamers. 24 frames per second is the best. – Or the sports enthusiasts. – Yeah. But if you wanna do slow motion, that’s when you use, you know, 50, 60, 120 frames per second, and then you can form it
to 24 frames per second. So that’s a big thing
when you’re coming from photography land, you need to know, bigger is not better here. More frames per second
isn’t necessarily better, it’s gonna be a worse look. Alright, so what we’re gonna do now is, we’re gonna battle it out. Photography versus videography, and we’re gonna kind of go through showing you guys how
we change our settings. Which settings we change
first, what do you choose, why you choose it. So you’ll do photography and
then I’ll do a video clip. So you’ll do a photo of me and
I’ll do a video clip of you. – Sounds good. – Alright, let’s do it. So let’s take a photo with this tree. This tree’s kinda cool. – Very sweet, we’ll get that nice bokeh. – [Matti] Oh yeah, that nice bokeh. Alright, so talk me through. What are you doing? If you need to take a
photo of me right now, what are the settings? – First, you gotta know where shooting. So if you’re shooting outside,
you have a lot of light. So if you have a lot of light, I first start with the ISO, and I’m gonna put it as low as possible ’cause I don’t need any
extra artificial light. So I put it to ISO 100. Then after that I’m gonna decide, do I want a shallow depth of field or do I want really sharp photos? So if I’m doing a portrait of someone, I’ll want a shallow depth of field so I’m gonna do 2.0 or less. But if I’m doing a landscape
I’d probably do 5.6 or above. Once I got the ISO and I’ve
got the f-stop decided, then I’m gonna decide what shutter I need in order to get the right exposure. So it’s as simple as that. ISO, f-stop, shutter speed. – Now, we were just talking about ISO and I actually realized that
we didn’t talk about ISO. ISO is the same. The higher the ISO, in photos and video, the worse your photo’s gonna be. So you want to keep it as low as possible, but if it’s dark and you need
to bump it up a little bit that’s okay too, but always try to keep
it as low as possible like my brother said, when it’s outdoors, keep it low. (upbeat indie music) Alright, so that was the photography side, now we’re gonna do videography. So how I would start things is, first I wanna choose framerate. So do I want this to
be slomo or real-time. For this shot, we’re gonna go real-time. We’re gonna with 24 frames per second. After that, shutter speed 50. We’re always gonna double
whatever our framerate says. Easy. And like my brother, I like a
nice shallow depth of field. This lens only goes to f/2.8
so we’re gonna go to 2.8. And just like my brother, I like to keep the ISO as low as possible ’cause the higher you boost your ISO the worse your image is gonna be, the more noise is gonna be there. We’re outside, there’s lots of light, I’m gonna keep it nice and low. And then we’re good to go. Let’s see how it looks. (upbeat indie music) Alright, it’s time to
one-wheel back to the office. One thing I kind of forgot
to mention was white balance. White balance with video, again, because we’re not shooting RAW, it’s really important to get it so if you’re filming in daylight like this, use the daylight setting. If you’re filming on a
cloudy day, use the cloudy, if you’re filming tungsten light, indoors, use the tungsten setting
or use auto if you want. But in photos it doesn’t matter. RAW, RAW is the best. I wish we could shoot
RAW video all day long. But that would be a little
bit counterproductive because the file sizes would be massive. Alright, anyways, we’re
gonna continue one-wheeling and then enjoying this day. See you guys. (upbeat indie music)

100 thoughts on “Photography VS Videography CAMERA SETTINGS

  • May 28, 2018 at 7:16 pm
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    Can't wait to tell you guys who my very first editor is going to be!

    Reply
  • May 29, 2018 at 8:50 pm
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    What did Peter do for the 10 minutes you guys were talking

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  • May 29, 2018 at 9:30 pm
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    Get an electric unicycle man… It's waaaaay better.

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  • May 29, 2018 at 10:40 pm
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    Question on shooting fps. If I shoot say 60fps or 120fps and then export it to 24fpx, will that look the same as if I shoot at 24fps? I often shoot a bunch of fishing films, and I never know if I may catch something that I want to slow down, so I tend to always shoot at the highest fps as possible just in case. But I'll start swapping back and forth if it makes a difference. (As you can tell I can't tell the difference … xD!

    Reply
  • May 30, 2018 at 12:33 am
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    Hey Matti! I have a Fuji Xpro 2 and I think the lowest shutter speed is 60. What do you suggest for shooting in 24p?

    Thanks,

    Aaron

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  • May 30, 2018 at 1:43 am
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    nice, very informative!! ty!:)

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  • May 30, 2018 at 2:07 am
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    I love how these guys can take the simplest scenes and locations and make it look so badass!

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  • May 30, 2018 at 2:20 am
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    Freaking uncanny!

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  • May 30, 2018 at 3:04 am
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    Just a tip for fps, it depends on what you're shooting. If you're doing a lot of action sports or fast pace moving things, its better to shoot in 60fps than 24fps.

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  • May 30, 2018 at 3:14 am
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    It's like hanging out with you twice! 😂

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  • May 30, 2018 at 5:27 am
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    Love raw video. Hate the workflow but love the dynamic range, sharpness, and grain you get. I use magic lantern on my 60d for raw video.

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  • May 30, 2018 at 6:37 am
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    🤙🤙 good points

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  • May 30, 2018 at 8:29 am
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    That is bad hair Matti lol

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  • May 30, 2018 at 12:14 pm
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    hi ,nice episode Matti

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  • May 30, 2018 at 1:27 pm
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    Peter and those Off Whites!

    Reply
  • May 30, 2018 at 1:52 pm
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    Thanks for the helpful tips Matti and Teppo! Great stuff here. Can you talk a little more about how you ensure you are nailing focus for video when filming broll? I film on a GH4 and often find myself using the little "auto" button to pull focus quickly when shooting broll. It works well but I would love to know what tools/steps you use to help you nail focus every time. Thanks!

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  • May 30, 2018 at 2:07 pm
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    Hey Matti. Thank you for this awesome tips. They’re really useful especially for a beginner like me in understanding more on the difference settings in both land. Also, those quick tips on what settings to begin with when you’re in the field are awesome too!

    Reply
  • May 30, 2018 at 2:50 pm
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    Does the 180 shutter rule apply for slow motion frame rates? (120, 240, etc)

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  • May 30, 2018 at 3:45 pm
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    Well this one cleared all my confusions😊😊

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  • May 30, 2018 at 3:58 pm
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    Thanks again for the tips Matti and Matti Double…always helpful

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  • May 30, 2018 at 5:50 pm
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    So, I am a photographer and I am traveling through whole Europe with my Family the next 12-18 month. I definitely want to film a lot to simply document the journey and I would love a cinematic look. For the first 4 weeks I mainly shot 100fps, cause I simply don´t know if I want the clip to be slow motion or not. I am not that experienced to see the difference yet, but how do I decide if I want to do slow motion or real time, while shootig run & gun?

    Reply
  • May 30, 2018 at 8:22 pm
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    Hi Matti!

    Great channel and great work. I’ve been doing video for about a year and learned so much from you, Peter, and other YouTubers.

    I wanted to echo an earlier comment that newbies could benefit from you explaining more about how you used your ND filter for that particular clip.

    Also, maybe tell people the dangers of auto white balance. I didn’t really think about it until one of my clips turned from blue to green while filming because the auto setting changed!

    I’m embarrassed that my first comment on your videos is criticism/feedback…you’ve been a wealth of knowledge and I’m so so grateful!

    Thanks again,

    -Andrew

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  • May 30, 2018 at 9:53 pm
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    Nice ^^

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  • May 30, 2018 at 10:32 pm
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    Hahaaha I love when the Finnish accent pops out when you called your brother

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  • May 31, 2018 at 12:55 am
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    I know there are other vids out there, but would love for you to cover more examples of the different frame rates and the effects they have (instead of just explaining it)

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  • May 31, 2018 at 3:22 am
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    Amazing video as always haapoja's brothers haha

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  • May 31, 2018 at 4:45 am
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    Yesterday was my 38th birthday and I really wanted a one wheel but my friends told me its not for girls! You have made me fall in love with the one wheel!

    Reply
  • May 31, 2018 at 10:08 am
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    Hai! I'm wondering how you keep your exposure at the same level since you stuck with all settings – lowest iso, 1/48 and let's say f/2.8. Should be at least ISO auto? cheers!

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  • May 31, 2018 at 11:01 am
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    Can anyone help me with this question: Hi Matti! Why not shoot at 60fps all the time so that if you didn't know at the time of shooting that you wanted to make the scene 'slow mo', then you have the option….versus shooting at 24fps and not have the option to slow it down because you don't have enough frames (and you don't want to remap the video speed percentage). Would a 60fps clip placed into a 24fps sequence be the same as 24fps straight out of camera?

    Reply
  • May 31, 2018 at 2:12 pm
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    Excellent video as always!

    Reply
  • May 31, 2018 at 4:44 pm
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    how many stops for your ND filter ? and what brand are you using ? any recommendation for nd filters

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  • May 31, 2018 at 5:10 pm
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    Hey guys–what about ISO increments of 160 on Canon DSLR for video? Is that still a thing? 160, 320, 480, etc?

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  • May 31, 2018 at 7:32 pm
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    You didn't touch on how you set your ND filter in your example to prevent it from being blown out..?

    Reply
  • June 1, 2018 at 2:37 am
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    Question for video-I want a 4K camera, would you recommend 5dmk4 or Sony a7s?

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  • June 1, 2018 at 2:54 am
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    Hi Matti! Thanks for all this info, I have a quick question: Variable ND filters range a lot in price, is it a false economy to go with a mid priced one like Gobe available here in Canada on Amazon, or is it best to spend more? I guess you get what you pay for, but also want to budget where possible.

    Also, do you buy one for each thread size or use step up/ step down rings? Any tips are much appreciated! I’m ready to order! Keep up the great work, love your videos 🙂

    Reply
  • June 2, 2018 at 3:48 am
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    hey matti, im wondering if it is worth having a photo camera and a video camera, for example if i like to use a nikon or even pentax which are great stills cameras but lack good video esp in autofocus for vlog style videos and then have a second small sony to shoot video with. Is this a good idea or should i not use nikon and pentax if i intend to use some video and just use a sony for example. Thanks 🙂

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  • June 2, 2018 at 9:50 pm
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    Anybody know what lens teppo was using??

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  • June 3, 2018 at 12:18 pm
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    I wish that you would have shown some samples of what the video looks like when you shoot in like 60p at a 1/3000 shutter speed. I see so many people doing that and when you say something they get all pist.

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  • June 3, 2018 at 12:20 pm
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    Another tip always buy quality ND filters….. never put cheap filters on nice glass. Tiffen is good and so is K & F

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  • June 3, 2018 at 6:07 pm
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    As someone who jumped straight into video but has no photography training, this video was SUPER helpful. Thanks guys!

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  • June 3, 2018 at 8:05 pm
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    Hey Matti! It will be nice if you do a video how to setup your camera mode for videocraphy / photography and both!! Thanks!!!

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  • June 5, 2018 at 1:24 am
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    sure … u look the same hahahahaha

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  • June 5, 2018 at 2:12 am
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    👍👍😎👍👍

    Reply
  • June 7, 2018 at 5:06 pm
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    Matti, While riding the 1 wheel the audio was amazing, what settings do you have your Rode Pro+ set to? HPF @ 75 and +20?

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  • June 7, 2018 at 7:53 pm
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    I wouldn't completely agree about the 24 fps that it looks the most cinematic. Because Marques aka MKBHD always shots 30 fps and his shots are stunning

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  • June 8, 2018 at 5:43 am
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    Hey Matti, great video! Did you know that you get the greatest dynamic range out of the 1Dxii at 400 iso?

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  • June 12, 2018 at 1:39 am
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    Thanks! I'm just getting into videography and this was really helpful. Any more videos on avoiding rookie mistakes?

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  • June 13, 2018 at 1:24 pm
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    thanks man love your videos always a lot to learn and your delivery is great

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  • June 17, 2018 at 12:13 am
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    Hello friend, we love your videos

    What you recommend us more to filming, talking about filters

    a polarizer or neutral density ??

    Reply
  • June 25, 2018 at 6:03 pm
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    I've heard some filmmakers say that they shoot everything in 60fps and simply conform it into 24 when in edit. Obviously there will be a lot more data space consumed on a given shoot, but are there any other drawbacks to this practice in your opinion? Thanks!

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  • July 5, 2018 at 8:09 am
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    Regarding FPS; I keep hearing from yourself, Peter and others that 24FPS is the way to go; yet when filming on a motorcycle 24 FPS is choppy where as 50 (PAL) or 60 is much much better and this is the frame rate many YouTube motobloggers use. Thoughts ?

    Reply
  • July 5, 2018 at 4:01 pm
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    "Matti ja Teppo, Teppo ja Matti."

    Reply
  • July 8, 2018 at 5:04 pm
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    You guys are so good looking, Im having a hard time concentrating on what youre saying…..

    Reply
  • July 10, 2018 at 3:08 am
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    As far as ND filters go, do you used fixed value ND filters or variable so you can adjust easily on the fly?

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  • July 10, 2018 at 2:09 pm
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    Great video. I'm learning alot here. So… The ND filter, is that used at all times of the day?

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  • July 10, 2018 at 10:24 pm
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    Almost your twin

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  • July 11, 2018 at 9:38 am
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    Awesome little video right here. I want to get a one wheel so bad

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  • August 1, 2018 at 8:54 pm
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    Hi Matti, nice video! Just a question: when you selected your camera settings (24fps, 1/50s, etc) you didn't mention about the ND filter? Do you just turn it until you get the proper exposure in Live View? How it works? Thanks!

    Reply
  • August 6, 2018 at 4:55 am
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    I learned so much in 11 minutes that I never really knew, massive thanks!!!

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  • August 8, 2018 at 11:06 am
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    I am seeing doubles… but in a good way.

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  • August 10, 2018 at 3:06 am
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    Do you film weddings in 24fps or 30fps?

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  • August 11, 2018 at 5:47 pm
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    Bum! This is it! :Db BIG thanks for this video, this is exactly what I was looking for. Simple but pro tips 🙂

    Reply
  • August 28, 2018 at 10:11 pm
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    I think you can do better with your sound, because every time you speak I volume up and then the music in between is loud for me.

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  • September 6, 2018 at 12:47 am
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    Do you work with Premiere Pro?

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  • September 16, 2018 at 3:20 pm
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    I’ve never learn so much in 1 video

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  • September 16, 2018 at 7:38 pm
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    good info, thanks guys.

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  • September 19, 2018 at 3:49 pm
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    What is that haircut called???

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  • September 21, 2018 at 10:38 pm
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    Thank you

    Reply
  • September 29, 2018 at 12:53 pm
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    Damn. 4 minutes and two ads before you actually start talking about camera settings… yikes

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  • September 30, 2018 at 12:29 am
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    Really answered my question, thank you so much!

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  • October 3, 2018 at 5:12 pm
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    24 fps was used in the old film days as a speed that was slow enough to conserve film (money) but fast enough so the normal human eye cant see stutters… with digital you dont need to worry about that. I can see why people won’t want to watch 60 fps. Its a little hard on the eyes but there is no reason not be shooting at 30. I and many other can sometimes see stuttering in 24 fps. Most notable at the edges of the screen during slow pans across busy frames.

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  • October 4, 2018 at 11:53 pm
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    This video really helped me a lot ! Thank you!!

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  • October 10, 2018 at 7:50 pm
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    Geez, you guys look like twins

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  • October 11, 2018 at 2:49 am
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    So then when you're shooting for video and you want a shallow depth of field you always focus manually? I'm assuming so because you probably don't want the autofocus to try and refocus every 2 seconds but then how do you get the assurance of focus done right? That question especially holds for moving subjects, how go you guys handle that?

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  • October 11, 2018 at 1:27 pm
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    Too much of talk…can be shorter video

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  • October 12, 2018 at 4:58 pm
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    a lot of people may not realize that around 10:20 – you would need the ND filter for those settings.

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  • October 16, 2018 at 7:02 pm
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    Its like hanging out with you twice hahahah

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  • October 19, 2018 at 2:45 am
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    this was a very long video for a 5 sentence explanation. Would like to see more original content

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  • November 7, 2018 at 2:01 pm
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    Les Twins )

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  • November 9, 2018 at 4:03 pm
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    Thank Sir

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  • November 21, 2018 at 5:10 pm
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    I like use my video camera's Kelvin white balance setting. I never use daylight, tungsten or AWB sittings. Always fully manual Kelvin setting.

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  • November 24, 2018 at 7:30 am
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    So yes, im in photography land, trying to understand video land, and would love more videos like this!!

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  • December 9, 2018 at 3:05 am
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    Double the Matti, double the fun.

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  • December 17, 2018 at 1:24 am
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    Hi Matti, great video! You mentioned the SS needs to be double the frame rate in video, but what do you do if your footage is still overexposed on a bright, sunny day (using ISO 100)? Does an ND filter bring down the exposure sufficiently? What other options do you have other than using a higher shutter speed?

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  • January 14, 2019 at 4:04 am
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    I am a beginning videographer and am confused about how to make footage look great when you go from real time to slow mo in the same shot. For example, in this video, it's done at the very end from around 11:00– 11:29. How did you make this look good? It must be in post?

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  • February 6, 2019 at 5:24 pm
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    Moi Matti Haapaoja! 🙂
    Oletan, että olet suomalainen profiili nimeri perusteella. Esitänpä nyt kysymyksen.
    1. Miksi videossa ei mainita PAL fps.iä vaan pellkästään NTSC fps:ät?
    2. Miksi tuplata shutteri (en koskaan noudata tuota juttua)… Jos esimeksi, joskuvaan 25 FPS PAL en siis voisi käyttää sii koskaan 240 asteista rolling shutteria enkä myöskään 90 asteista enkä tai siitä ylempää tai vielä alempaa 360 asteeseen asti.?
    Speed huttererissa sama homma, ainoa joka kelpaisi tuplauksessa olisi normaalistikkin 1/50, ei muut. En käsitä.
    50fps PAL samat säänöt tottakai. Tai NTCS 24-30-60-120 FPS.
    Minun siis täytyisi tuplata silloikin shuttri kun käyttäsin clear scan shurrerissakin? Jolloin siis shutterin nopeus pitäisi asettaa hertzeinä, enkä edes osaisi laskeasitä päässäni sitä arvoa.
    Slow Shutterikin sama homma.
    Joka tapauksessa noudatan vähän sääntöa, koska käytän lähes jatkuvasti 180 asteen rolling shutteria, muitakin käytän jos tilanteet vaativat niin.

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  • February 23, 2019 at 7:52 pm
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    Just so you know leaving your kid sibling to think he was alone is not nice. You're fortunate your brother can laugh at it today, but it truly is a traumatic experience — and by traumatic I mean the feeling never goes away…completely. But here's the thing, apparently, he still trusts you?

    Anyway yes, you and your brother are the type that people would think are the same person until they get to know you. Also, great topic and one I share with people all the time. Just never made a video about it. One more thing, did the two of you collab to get the hair parted opposite to each other?

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  • March 4, 2019 at 3:09 pm
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    great and informative vid guys! keep doing that like this

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  • March 11, 2019 at 3:21 am
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    On the photography side, the mnemonic is, "Never forget your WIFE".
    White balance
    ISO
    F-stop (aperture)
    Exposure (shutter speed)
    If you never forget your wife, you'll ensure you've got everything set to go before you take a photo.

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  • March 14, 2019 at 12:56 pm
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    Just subscribed and already love your tutorials!

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  • April 2, 2019 at 11:17 pm
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    Wow… I'm very new to the photography and cinematography world and it can be quite overwhelming the amount of things you need to learn. I'm loving your content Matti. It's well explained, detailed but also easy to understand the concepts. So thank you very much!

    Ps: I'm Brazilian and I've been living in Toronto for 5 years now. I just started my YouTube channel (this one I'm writing from) and I need to learn to make awesome videos like yours and Peter's lol such a boost in energy watching you guys 😍

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  • April 3, 2019 at 8:26 am
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    Hey Matti I have the same Vans sneakers 🙂 The best I've ever had.. want to buy more, but cant find this model anymore

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  • April 3, 2019 at 12:19 pm
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    This video is a good example of horrible quality and serious vignetting. The video must have been shot using the same kit as you used to shoot that Red camera shoot with that fat Chinese Potato bloke, the results are exactly the same, horrible!

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  • April 13, 2019 at 12:58 pm
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    Your in a lane all by yourself🔥🔥

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  • May 2, 2019 at 4:17 pm
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    U all so cute ❤😊

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  • May 24, 2019 at 1:33 pm
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    Great video Matti. One question, I do get about the shutter speed, iso, and aperture in photography. But what picture style do you normally use on your canon camera when shooting raw? Is it neutral? Standard? Though I know you said it doesn’t matter what you shoot with but I’d like to know which one you usually use. 🙏🏼 Thanks bro!

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  • May 24, 2019 at 8:13 pm
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    Fantastic video, very helpful. Thank you very much, Matti!

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  • May 27, 2019 at 6:50 pm
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    The video starts at 3:20

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  • June 27, 2019 at 7:16 pm
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    You look the SAME. The first time i've seen him was on his channel. And i said this guy Matti's brother.

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  • July 23, 2019 at 2:30 pm
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    I really appreciate your effort on creating videos like this. You ppl look in to the details in such a level…. remarkable. For an instance, on 11:29 time, there is a fly disappears from the white pant. Of course there are much more.. It just caught my eye. Keep up the good work. Learned a lot of things from you ppl.. This is one of them 🙂

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